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Lurene Tuttle profile
Actor

Lurene Tuttle

Acting

Career Snapshot

Explained

These indicators come from TMDB. They are relative signals, not review ratings.

Acting credits

119

Prolific

Very extensive acting filmography.

TMDB popularity

0.6

Low visibility

TMDB internal trend index. Higher usually means more searches and page activity now.

Movies: 53Series: 66

TMDB ID: 19781

IMDb ID: nm0878354

Known for: Acting

Born: August 20, 1907

Died: May 28, 1986

Age: 78

Place of birth: Pleasant Lake, Indiana, USA

Gender: Female

Adult content flag: No

Career span: 1934 - 1993

Years active: 60

Average TMDB rating: 6.65

Wikidata: Q456357

Also known as

Lorene Tuttle

Biography

​From Wikipedia, the free encyclopedia.   Lurene Tuttle (August 29, 1907, Pleasant Lake, Indiana - May 28, 1986, Encino, California) was a character actress, who made transitions from vaudeville to radio, to films and television. Her most enduring impact was as one of network radio's most versatile actresses. Often appearing in 15 shows a week, comedies, dramas, thrillers, soap operas, and crime dramas, and she became known as the First Lady of Radio. Heaven Only Knows (1947) was her first film. She went on to roles in other films such as Orson Welles's Macbeth (1948), Mr. Blandings Builds His Dream House (1948) and Alfred Hitchcock's Psycho (1960), as the wife of Sheriff Chambers. In Don't Bother to Knock (1952) she portrayed a mother who lets a disturbed Marilyn Monroe babysit her daughter. The next year she appeared again with Marilyn in Niagara, as Mrs. Kettering. She had a rare starring role in Ma Barker's Killer Brood (1960). She played Grandma Pusser in the original Walking Tall film trilogy, and also appeared in horror films such as The Manitou (1978), starring Tony Curtis. Her final film role was in the 1983 film Testament. Tuttle became a familiar face to millions of television viewers with more than 100 appearances from 1950 to 1986, often in the role of an inquisitive busybody. On television and in films, Tuttle streamlined herself into a pattern of roles between wise, loving wives/mothers or bristling matrons. She was familiar to the early television audience as wife/mother Lavinia (Vinnie) Day in Life with Father (1953–1955). Columnist Hedda Hopper called the selection of Leon Ames as Father and Tuttle as Mother "what I consider 22 carat casting with two all-Americans."

Photos

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