Leonora
Gundula Janowitz
Leonora

This production is a gala affair; the sets are traditional (evocative of 18th-19th century Spain); the lighting is bright, so colors are good and one can see all of the action. Singers are generally well chosen and perform admirably. However, at this point, slight reservations creep in; although Janowitz (Fidelio/Leonore) and Kollo (Florestan) look "good" and act well, the singing parts tax them a bit when pushed to the limit. Most of the time that doesn't matter, and an argument can be made that a little vocal strain is in character with their dire plight. Ideally, for me, Vickers as Florestan would have added extra vocal heft and more sensitive acting than Kollo.
Leonora
Gundula Janowitz
Leonora
Florestan
René Kollo
Florestan
Rocco
Manfred Jungwirth
Rocco
Don Pizarro
Hans Sotin
Don Pizarro
Marzelline
Lucia Popp
Marzelline
Jaquino
Adolf Dallapozza
Jaquino
Fernando
Hans Helm
Fernando
1er Gefangener
Karl Terkal
1er Gefangener
2e Gefangener
Alfred Šramek
2e Gefangener
Conductor
Leonard Bernstein
Conductor
Orchester der Wiener Staatsoper
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