Jacques Tondelli
Pierre Deladonchamps
Jacques Tondelli

At once an intimate chronicle of a romance and a sprawling portrait of life in early 1990s France following the intertwining journeys of Jacques, a worldly Parisian writer, and Arthur, a curious, carefree and much-younger university student who is just beginning to live. Brought together by chance, the two men find themselves navigating a casual fling that gradually deepens into a tender, transformative bond.
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Jacques Tondelli
Pierre Deladonchamps
Jacques Tondelli
Arthur Prigent
Vincent Lacoste
Arthur Prigent
Mathieu
Denis Podalydès
Mathieu
Nadine
Adèle Wismes
Nadine
Marco
Thomas Gonzales
Marco
Pierre
Clément Métayer
Pierre
Jean-Marie
Quentin Thébault
Jean-Marie
Louis
Tristan Farge
Louis
Isabelle
Sophie Letourneur
Isabelle
L'actrice
Marlène Saldana
L'actrice
Stéphane
Luca Malinowski
Stéphane
Fabrice
Rio Vega
Fabrice
It's too long and the characterisations lack depth - but it is still quite an interesting story to follow. Pierre Deladonchamps is "Jacques" a (slightly) older Parisian writer who meets a young Breton "Arthur" (Vincent Lacoste) in a cinema. Initially neither are looking for much more than a quickie, but before long something clicks and the couple begin to test, probe and like each other. It transpires that "Jacques" lives every other day with his young son "Loulou" and that he isn't a well man - all of which serves to focus the emphasis of this film on their priorities and their desires - physical and emotional. It's set in the early 1990's so it's pretty clear what's going on, on the medical front - the relentlessness of the author's decline is evident but not allowed by Christoph Honoré to overwhelm what is essentially quite an engaging, but too shallow, character driven study. Denis Podalydès and the young son Tristan Farge provide potent diversions to the prevailing theme as the relationship and it's implications gather steam. The writing doesn't allow us to get bogged down in sentiment either; it's sexy and provocative, funny and sometimes just a bit course - and that gives the piece a bit more richness. I could have been doing with a little more one-on-one time between the principals. I still wasn't quite comfortable with the speed, or plausibility, of their romance - but this is much more than your bog standard gay romantic drama, and I'd suggest you stick with it.
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