Joy
Elizabeth Banks
Joy

A married woman with an unwanted pregnancy lives in a time in America where she can't get a legal abortion and works with a group of suburban women to find help.
International Trailer Official
Joy
Elizabeth Banks
Joy
Virginia
Sigourney Weaver
Virginia
Will
Chris Messina
Will
Gwen
Wunmi Mosaku
Gwen
Lana
Kate Mara
Lana
Dean
Cory Michael Smith
Dean
Charlotte
Grace Edwards
Charlotte
Detective Chilmark
John Magaro
Detective Chilmark
Sister Mike
Aida Turturro
Sister Mike
PTO mom
Emily Creighton
PTO mom
Reporter
Gina Jun
Reporter
Edie
Rebecca Henderson
Edie
FULL SPOILER-FREE REVIEW @ https://www.msbreviews.com/movie-reviews/other-films-watched-spoiler-free-review-sundance/#jane "Call Jane presents a compelling premise focused on women's rights, remarkably elevated by excellent performances from Elizabeth Banks, Sigourney Weaver, Chris Messina, and Wunmi Mosaku. An interesting, engaging first act quickly grabs the viewers, featuring a well-written screenplay and clever use of witty songs. However, the story gradually loses momentum, becoming repetitive and dull. Practically every meaningful point is made during the first half, so the last hour feels a bit redundant and irrelevant, except for one particular development. Pacing issues arise to the overlong runtime and Phyllis Nagy's attempt to cover too much ground. Also, the emotional attachment with the protagonist and the narrative itself is on-and-off throughout the film. A good effort, nonetheless." Rating: C-
Read full reviewElizabeth Banks ("Joy") and her husband "Will" (Chris Messina) are rather joyfully expecting a late arrival into their 1960s family when it transpires that she has an heart condition that her doctor suggests could prove extremely perilous so long as she remains pregnant. Desperate, she turns to "Jane" after reading a billboard that suggested there may be help at hand. $600 and a visit to "Dr. Dean" (Cory Michael Smith) and all may be dealt with? Not if "Virginia" (Sigourney Weaver) has anything to do with it for she is the facilitator of a small group of women determined to help others who find themselves in a similar predicament. Of course it's all illegal - and the film now takes on a frequently darkly humoured trip that sees this initially rather reticent (and innocent) woman realise that more needs to be done, and to take some, frankly, rather innovative and courageous steps so to do. As far as the integrity of the medical science goes, I suspect this is massively over-simplistic, but in light of current events in the United States, it does shine a light on the difficulties families (single or otherwise) have in obtaining adequate and affordable medical care when they are faced with the unpleasant realities of an unwanted pregnancy. There is the odd bit of politicking going on - the prioritisation of victims getting support proving quite a potent source of debate and that, too, does offer food for thought. Banks reminded me of Elizabeth Montgomery from "Bewitched" for much of this; Weaver, though not exactly prominent here, offers a bit of depth and there is a strong effort from both the increasingly bamboozled Messina and from Wunmi Mosaku's "Gwen". It does begin to recycle itself a little towards and ending that didn't make a great deal of sense to me and the conclusion, despite this being over 2 hours long, seemed a bit rushed - but it is still an entertaining piece of cinema with an underpinning message that is probably more relevant now that for many a year.
Read full reviewCall Jane | Elizabeth Banks & Dir. Phyllis Nagy Interview
'Call Jane' w/ Elizabeth Banks, Sigourney Weaver, and Wunmi Mosaku & more | Academy Conversations
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