Deborah Blake
Kathleen Quinlan
Deborah Blake

“When she tried to kill herself, it was just the beginning.”
A disturbed and institutionalized 16-year-old girl struggles between fantasy and reality.
I Never Promised You a Rose Garden (1977) Original Trailer [HD]
Deborah Blake
Kathleen Quinlan
Deborah Blake
Dr. Fried
Bibi Andersson
Dr. Fried
Jay Blake
Ben Piazza
Jay Blake
Ester Blake
Lorraine Gary
Ester Blake
Secret Wife
Martine Bartlett
Secret Wife
Drawing Patient
Margo Ann Berdeshevsky
Drawing Patient
Carla
Darlene Craviotto
Carla
Hobbs
Reni Santoni
Hobbs
Lee
Susan Tyrrell
Lee
Helene
Signe Hasso
Helene
McPherson
Norman Alden
McPherson
Miss Coral
Sylvia Sidney
Miss Coral
Kathleen Quinlan delivers powerfully here as the disturbed “Deborah” who has been institutionalised by her therapist “Dr. Fried” (Bibi Andersson). She’s delusional and walks a fairly fine line between a reality in which she doesn’t feel pain and a fantasy land with it’s own language that she must, at all costs, keep secret. Once ensconced, she finds herself staring at a stark world where her humanity is very much subsumed into a violent, noisy and drug-induced environment run by an eclectic combination of mostly men, who have varying degrees of sympathy for their patients/inmates. Fortunately for “Deborah”, her psychiatrist is genuinely interested in trying to help her recover, and against a backdrop that is hardly conducive, there might be hope that she can possibly emerge from the toxic alternative world that she has become dependent upon. It’s the noise that got me most here. The reverberations of the shouting and the screaming around rudimentary accommodation that has more in common with a prison than an hospital all adds to the general sense of craziness. There are a few potent efforts from the supporting cast, like Norman Alden’s “McPherson” whose more measured and considerate behaviour contrasts well with the otherwise often chaotic and even dangerous environment and from Sylvia Sydney too. Andersson is well cast bringing a certain caring aloofness to her role and the whole effect of the film is scarier than almost all of the other films produced by Roger Corman. It has dated and there is a degree of over-descriptive psycho-babble from the often heavy handed script, but Quinlan holds this together well and it’s still quite a solid indictment of 1970s psychiatric care.
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