The Lone Prospector
Charlie Chaplin
The Lone Prospector

“The World's Greatest Laughing Picture!”
A gold prospector in Alaska struggles to survive the elements and win the heart of a dance hall girl.
New 100th Anniversary Trailer Official
The Lone Prospector
Charlie Chaplin
The Lone Prospector
Big Jim McKay
Mack Swain
Big Jim McKay
Black Larsen
Tom Murray
Black Larsen
Hank Curtis
Henry Bergman
Hank Curtis
Jack Cameron
Malcolm Waite
Jack Cameron
Georgia
Georgia Hale
Georgia
Man in Dance Hall (uncredited)
Jack Adams
Man in Dance Hall (uncredited)
Eskimo Child (uncredited)
Frank Aderias
Eskimo Child (uncredited)
Eskimo Child (uncredited)
Leona Aderias
Eskimo Child (uncredited)
Woman in Dance Hall (uncredited)
Lillian Adrian
Woman in Dance Hall (uncredited)
Man in Dance Hall (uncredited)
Sam Allen
Man in Dance Hall (uncredited)
Man in Dance Hall (uncredited)
Claude Anderson
Man in Dance Hall (uncredited)
Despite the fact that it's minus 10° high up on the snowy mountain pass, the "Lone Prospector" (Charlie Chaplin) bedecked in his ill-fitting suit and bowler hat is determined to go make his fortune. Luckily, starving and cold, he stumbles upon the log cabin of "Larsen" (Tom Murray) and getting warm and fed becomes the order of the day - even if it's owner isn't so keen on sharing his long solid fish. Enter "Big Jim" (Mack Swain) and the three engage in the start of the antics that keep this classic piece of cinema rolling along entertainingly. After loads of to-ing and fro-ing, near death experiences and a near-miss with a big black bear, our wanderer finds himself in town at the glamorously titled "Monte Carlo" dance hall where he takes a shine to the dancer "Georgie" (Georgia Hale) but sadly he is still broke! Meantime, "Larsen" turns out to be a wanted felon with designs on their amnesiac big pal's claim - and it falls to our lovestruck tramp to sort things out and maybe even get the gal too! The chilly setting works well, supporting the set-piece comedy that uses a tight ensemble cast to keep a story of perseverance, loyalty and romance ticking along with loads of activity, dancing, tripping and sliding about. Chaplin was a master at this - his facial expressions are just great and even when provoked by the unkindly townsfolk who think him a bit of a wimp, he retains his dignified, hat-tipping, demeanour. Sparing inter-titles keep us informed but we don't rally need them - it is all very self explanatory and good fun.
Read full reviewThree Reasons: The Gold Rush
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