Gwen
Mary Pickford
Gwen

Gwen's family is rich, but her parents ignore her and most of the servants push her around, so she is lonely and unhappy. Her father is concerned only with making money, and her mother cares only about her social position. But one day a servant's irresponsibility creates a crisis that causes everyone to rethink what is important to them.
Gwen
Mary Pickford
Gwen
Gwendolyn's Mother
Madlaine Traverse
Gwendolyn's Mother
Gwendolyn's Father
Charles Wellesley
Gwendolyn's Father
Jane
Gladys Fairbanks
Jane
The Plumber
Frank McGlynn Sr.
The Plumber
The Organ Grinder
Emile La Croix
The Organ Grinder
Miss Royale
Marcia Harris
Miss Royale
Thomas
Marcia Harris
Thomas
Potter
Frank Andrews
Potter
The Doctor
Herbert Prior
The Doctor
Johnny Blake
George Gernon
Johnny Blake
Susie May Squoggs (as Maxine Hicks)
Maxine Elliott Hicks
Susie May Squoggs (as Maxine Hicks)
There is something of the Lewis Carroll in this quite touching story of a young girl "Gwen" (Mary Pickford) who lives with her wealth-obsessed father (Charles Wellesley) and her socially-obsessed mother (Madlaine Traverse) who indulge their daughter insofar as money allows, but who pretty much neglect her otherwise. Despite her best efforts to engage with her parents - the spirited eleven year old "Gwen" makes little progress so seeks friendship amongst the local (not exactly "suitable" children) culminating in quite an entertaining mud fight. When two of the servants at her home mix her medication, she becomes dangerously ill and the whimsical elements introduce themselves - she has some wonderfully surreal dreams of the life she might like to have had; avenges the ill-treatment of her governess, addresses the indifference of her parents (a potent scene with her father sitting by a dollar pill printing machine churning out note after note...) - all whilst the bed-side waiting parents have to completely reevaluate their own priorities. Pickford was mid-20s playing the diminutive child, and she does it with a plausible, tomboy-ish, innocence that carries the humorous elements of Eleanor Gates' play well. At times it is a little too far-fetched, but Maurice Tourneur keeps the focus on the underlying theme of familial incivism front and centre and effective whilst ensuring the steady pace keeps the whole thing enjoyable to watch.
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